Ludwig’s romp, briskly directed by Joe Deer, is set in a luxurious Cleveland hotel suite circa 1934 (scenic designer Pam Knauert Lavarnway and costumer Zoë Still strikingly capture the period). Mistaken identity and slamming doors abound when beloved Italian opera star Tito Merelli is unable to appear in “Pagliacci.” Looking for a replacement, Cleveland Grand Opera general manager Henry Saunders asks his loyal assistant Max to assume the role. Madness quickly ensues.
Here are five reasons to see Wright State’s season opener, featuring an entirely masked cast due to health and safety protocols.
1. Guaranteed laughs from start to finish


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Finding the Wright Path
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